Troubleshooting Softening the Face – Reining Essential #1, part 2

Troubleshooting Softening the Face – Reining Essential #1, part 2

This is a continuation of the article I wrote called Reining Essential #1 Giving the Face. I’m going to do a quick recap and then get right into “troubleshooting” softening the face.​​​​​​​​​​​​​​

Reining Essential #1- Recap

1. Giving the Face

“Giving the face” means softening in the jaw and flexing willingly at the poll in response to light pressure on both reins, or flexing to the left or right in response to left- or right-rein pressure. It’s the single most important thing to teach your horse.

Reining Essential #1-Troubleshooting

With each thing that we teach a horse, many responses will come up. Some of those are good and some not so desirable. I’ll include a Troubleshooting section for each of these. I will also do a “myth busting” segment for each of the Essentials.

Troubleshooting. Common problems in getting your horse to give his face, and how to fix them:

  • Overbridling (chin to chest). Fix by using more leg and less rein, being sure to release when your horse softens. Also, if need be use distinct upward tugs on the reins to make it uncomfortable when he puts his head beyond the vertical or too low, returning to soft hands as soon as he corrects his positioning. 

  • Underbridling (not flexing enough, his neck may be raised and braced against your hands). Fix by bumping incrementally harder with your legs in neutral position while holding with your hands as assertively as need be until there is the slightest indication of giving, then release immediately, then repeat.

  •  Never fully softening the jaw (you’ll feel him still pulling on you even though he’s dropped his head). Fix by tugging the reins off the beat of his motion. Be sure not to tug predictably, or he may simply learn to move his head from side to side without truly giving/softening. Also, make sure the slack is out of the reins before you tug, so you’re never jerking.

  • Wiggling (his rear end drifts off to one side or the other instead of driving up underneath his body). Fix by riding assertively, bumping simultaneously with both legs in neutral position or just behind the cinch. Push him up into the “wall” of your hands to straighten him out.​​​​

Softening your horse is an ongoing and continual process. It will never end, and it’s the first thing that goes, if we’re not paying attention! 

One percent improvement a day is a great goal.

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Tips on Cattle Characteristics

Tips on Cattle Characteristics

Barb and I have spoken a lot about reading cattle and watching them settle, etc. However, in the reined cowhorse event, we don’t get to choose our cow. So our surveillance techniques become more general, trend seeking vs studying individual cattle traits.

I’d rather see Cowface #2 come through the gate for me as it ‘s lowered head and floppy ears make it seem a more relaxed, workable sort. Cowface #1 looks a bit too bright and feely…..but they both could be fibbing!​​​​​​​

The difference in how we respond to their reactions to us, can be the difference in whether we make a bad cow good or a good cow bad!

Be sure to watch the cattle before your turn, for general trends in the cattle that day. 

Most groups of cattle contracted for a show, are similar breed, age, condition and sex. It’s helpful to know if they’ve been out in the mountains, in which case, they haven’t been disturbed by many horses. They might be a bit more flighty, and in much better condition to run longer and harder, than ones kept in a feedlot. Feedlot cattle might be duller, having been bumping into each other all the time, and being ridden through regularly. The mountain cattle probably have a bigger bubble than their feedlot friends.

By bubble, I mean, how big the area around a cow is before they feel compelled to react to a horse’s intrusion. 

A wilder cow, with a bigger bubble, will respond to a horse that’s further away, in a quicker more reactive manner. If you misread a cow’s bubble, by stepping up too quickly, and create a bad reaction (ie their head and tail come up, ears are no longer drooping and relaxed, and they squirt across the arena), don’t panic. Just take your foot off the accelerator pedal, back off a step and recalibrate. Slow everything down, and approach in a softer, slower manner. Be prepared to play defense on these kind.

Every cow is an individual with their very own personality, so it’s essential to become a “student of the cow”. A good cattleman doesn’t see a large group of black cattle that all look the same. They see many cattle with unique characteristics, and each will respond differently to a horse.

There’s a really big difference between working steers and heifers too. Steers tend to be more docile, get fat more easily, tire more quickly, and might quit you when they do tire. Heifers, on the other hand, tend to be quicker, faster and get on the prod (mad) more readily. But, I’ve seen steers that could run all day, and heifers that I could outrun on foot….so there you go!

Another character trait most cattle have, is if they get away with something once, they will try the same thing again, usually in the same place. So, if they slip by you, or beat you in a turn, be prepared for them to try it again. If they set up quick when you’re boxing (in other words, stop and change directions before you actually get in position), then be prepared for them to turn on the fence, before you actually get them headed.

So, let the open class be the test pilots. Watch them go. It might make you nervous to see how fast they go, or to think of all the things that might go wrong. But, knowledge is power. The more familiar you are with what you’ll be working, the better your game plan will be, and the calmer your nerves will become. Having a Plan A, B and C, and the ability to shift from one to another seamlessly, is a big confidence booster.

Those riders who put in the extra time and effort to study cattle for sure have a little leg up on those that don’t.

LET US KNOW YOUR THOUGHTS 

Tip 1: Control in the Boxing Part of the Fence Work

Tip 1: Control in the Boxing Part of the Fence Work

The key to consistent success in the fence (and the boxing) part of a reined cow horse run is in attaining and maintaining control of the cow

How well you can read the cow, the situation and the better you are at getting your horse to the right place at the right time, will determine how well you will control your cow and your run.

You have to be able to interpret and respond to the cow immediately. 

A lot of times, people can see what needs to happen, but they can’t get their horse to the place where they need to be.

Taking control has to begin when the cow first enters the arena. This is also the time the rider assesses the cow, teaches it to respect the horse, and works it enough to insure just the right speed down the fence.

To take control, the rider must watch carefully and respond instantly to the cow. For example, cattle that have been in a feed lot, often have become accustomed to riders and they’re dull about responding to horses. They have a smaller “bubble”. Others that have been out in the hills, may be pretty wild and a lot more fit. Watch to see what kind of physical shape they’re in – whether they will tire quickly.  In general, these are trends, one see early in the show, but remember every cow is an individual.

The other part of the formula rests with the horse. Be sure your horse is responding to you in a way that will enhance performance, before you enter the arena. He should be soft in the bridle, moving off your legs, been adequately loped and in a mental frame to walk into the pen and go to work.

When the gate swings open and the cow enters the pen, the rider must make instantaneous assessments.

If a cow has been bouncing off the walls in the holding pen, and then comes out into the arena with its tail up over its back, pull down your stampede string, because you’re probably going to go fast. That type have a bigger “bubble”, so you won’t want to get too close. It will be harder to get that cow to honor your horse.  You’ll have to move quickly and aggressively to block it, while being somewhat defensive – staying inside the cow and ready to move your “line of scrimmage” back.  I might also make some noise to get its attention.

Sometimes cattle come out with heads pretty low, like they’re looking for a way out – nosing the fence as they go along. This type cow might try to run under a horse’s neck – it’s crafty, maybe pushy. Working that one might be a body-blocking affair.  They are generally numb cattle and less aware of you. To work them successfully, you might have to get right in their faces (head them) and make some noise. They require a more offensive plan, as they’re not easily intimidated.

The ideal draw is the cow that comes out, sees the horse and stops, acknowledging it, perhaps curious, then moves away. With this type cow, when you make a move, you get a response.  That’s the kind you want.The goal is to get the cow’s attention and respect – whatever it takes.

In NRCHA competition, there are two kinds of cow that will cause a judge to call for a replacement.  Judges will award a new cow if it won’t move enough in response to the horse, or, if it won’t honor your horse. In both cases, you must be in the correct position, and doing everything possible to work your cow, in order for the judge to award a new one.

Since the boxing sets the stage for the rest of the run, be sure your horse gets dialed into the cow – moving the way you want him to move and feeling the way you want him to feel – before you go down the fence. If your horse is leaning or dropping a shoulder or not reading your cow, not stopping on his rear, your only opportunity to fix it is before you start down the fence.

Boxing is also the time to establish authority over the cow. You should train the cow to honor the horse.  You do that by getting its attention if it’s numb, and getting it worked down if its wild. In general, your goal is to teach it to stop when you get into position whether you’re just boxing or getting ready to go down the fence.

(more next time on leaving the corner and rating the cow, stay tuned!!)​​​​​​​

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Softening the Face: Reining Essential #1

Softening the Face: Reining Essential #1

There are a few things every horse should be able to do before going on to specialize in any discipline. These are the things we “put on” a colt in the first 60 to 90 days of his training; they’re also what we use to tune up an older horse or “fix” a problem horse. They are the foundation for all that we do.

I call them the Seven Essentials. They are:

1. softening the face;
2. walking a circle;
3. walking a counter-arc circle;
4. backing up;
5. responding to “whoa”;
6. moving off your leg

7. pivoting on the hind end

They sound very simple, and they are. Perfecting them can be another story though!

My philosophy of progress by tiny increments (remember—as little as 1 percent a day!) is critical here. Extra time spent nailing these basics will pay you terrific dividends as you move forward. So, go slow; tackle them in this order, and take the time it takes to get them right.

Reining Essential #1: Softening the Face

“Softening the face” means softening in the jaw and flexing willingly at the poll in response to light pressure on both reins, and flexing to the left or right in response to left- or right-rein pressure. It’s the single most important thing to teach your horse.

Why? Because it’s how you and your horse both know that you are in control. By softening through the jaw and flexing at the poll, your horse says, “I’m yours. What do you want me to do?” If, on the other hand, he even thinks that “putting his head on upside down” (that is, lifting his head and bracing with his neck) is an option, then you don’t have control of his mind or his body. And that can be downright scary on a thousand-pound animal!

Just as the Seven Essentials are the key to all reining maneuvers, giving the face is the key to the rest of the

Seven Essentials. That’s why it’s where we begin. I’ll start by describing exactly what you’re striving for.

The goal. Ultimately, your horse should stay soft and flexed in response to your picking up the rein, so that his face is essentially at the vertical, or more or less perpendicular to the ground. You should never feel him pulling on your hands.

Ideally, he’ll ultimately remain soft even with a little slack in the reins.

If you ask him the way I’m going to describe, using your legs to keep his hind end engaged, he should over time begin to round his topline, too, reaching far up underneath himself with his hind legs (what I call “shortening the wheelbase”). He should stay relaxed, rather than getting agitated. Eventually, you’ll feel him getting better balanced under you.

Timing is critically important. Remember, your horse learns from the release of pressure (the reward), not the application of it (the pull). Also, he assumes what he was doing immediately before a reward is what he’s being rewarded for. So to reward that very first “give,” release pressure and praise him the instant you feel him respond.

If your horse is really green, you might start from the ground facing him, and do the exercise below, before doing it when you’re on him.

With your hands about 12 to 24 inches apart, first draw back gently but firmly with both reins, drawing the bit from side to side gently if need be to get your horse to flex at the poll, drop his head, and soften. Release pressure and praise him the instant he responds (make sure he’s actually “giving” to you—softening to your hand–and not just dropping his head, or just moving it back and forth), then repeat.

To ask for the lateral flexion, slide your hand halfway down one rein, then draw your hand back in a pull-and-release motion toward your waist. Try to get your horse to volunteer that last little bit of bend, then loosen the reins and praise him. Repeat several times, then do the same exercise with the other rein.

Repeat these flexing exercises each time you mount and before you begin your riding sessions.

At a walk, trot, lope. When he’s becoming solid in his flexing at a standstill, try it at a walk using your legs to keep him moving forward.

Then, ask for flexion to the side, move him onto a small circle using your inside leg in neutral position to encourage him to bend through his body as your inside rein asks him to flex his neck to the inside. The bend in his neck should enable you just to see the corner of his eye.

When he’s responding well at a walk, try it at a trot, and then a lope, using the same approach (you’ll need slightly larger circles at the faster gaits). Remember—you’re using your legs to create impulsion up into the bridle.

Putting it all together. An exercise to combine all the learning focuses on transitions, which are a great place to work on flexion. So practice getting and keeping flexion going from a trot to a lope to a trot, then down to a walk for a step or two, then stop and back up. Strive for softness in the transitions—especially the downward ones, as from a lope to a trot and a trot to a walk. Mix it all up and do it a lot! ​​​​​​​

relaxed

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